Wilfried Grootens

Born 1954 in Uedem, Germany, a small town in the German countryside near the Dutch border. At the age of 15, he began training as a glass and porcelain painter with Hein Derix in the nearby town of Kevelaer, where he apprenticed for four years. The Derix Company specializes in the restoration of antique painted stained glass windows, the creation of large-scale painted glass architectural installations and mosaic projects.

In 1973, Grootens left Derix Company to begin an eight year adventurous journey of discovery. During this time span, he received a Technical Diploma in design, worked as a freelance artist for several studios, traveled throughout Asia, The Middle East, and South America and focused on a self-taught pursuit of music.

In 1981, Grootens moved to Munich and over the next seven years he participated in recording music with the German bands Embryo and Dissidenten, groups known for their avant-garde approach to a style of music coined the “world beat movement.” He had the wonderful opportunity to record music projects at the Karnataka College of Percussion in Bangalor, India.

It was during this period of the 1980s that he also revisited his glass work and began the first experiments that would lead to his career as an artist working in glass. In 1988, he received a Master Craftsman’s Diploma in Munich and in 1989 he moved to Kleve and opened his own studio.

Grootens’ current glass work uses the optical float technique. He paints on layers of glass and assembles them in stacks, laminating them together to create cube forms. The cubes are cut and polished to perfection. One sculpture in the series, “Where the Shark Bubbles Blow,” is made from 35 layers of painted glass. For this piece, Grootens painted a circle shape on the surface of each thin layer of clear glass. Made of thousands of very fine brush strokes of varying tones, the painted circle creates a wonderful aqua blue. The circles on each layer recede or expand in size gradually and, when seen together, form a miraculous three dimensional globe which seems to be suspended in the cube. Grootens states, “With my glass painting I fill transparent, geometric spaces whose visual explorations produce surprising variations in forms. Different perspectives on apparent spherical floating built-up forms of linear brush strokes reveal to the viewer new perspectives within the object’s space”.

Wilfried Grootens is represented by Sandra Ainsley Gallery, located in Toronto, the leading contemporary glass art gallery in Canada.